Katinka von Richter

Live Concerts: Why the Shared Moment Still Matters in an Age of Infinite Recordings

4 Min. Lesezeit

Come and share a magical moment. A concert is more than a performance — it is an occasion designed around the mutual stimulation and happiness that only live classical music can generate.

Come and share a magical moment. A concert is more than a performance — it is an occasion designed around the mutual stimulation and happiness that only live classical music can generate. It is also an invitation to discover and inhabit European musical culture through the works of the great masters of the past centuries. For me, the live concert has always felt like a precious ritual: something we have been repeating and celebrating for a very long time, not because we need to, but because we need each other to hear it.

We need music for our well-being. And music needs to be listened to live in order to create the essential link between audience and interpreter. There is magic in the instant of creation — in the mystery of ephemeral sound that exists only for a single suspended moment. We can borrow these sounds briefly from the universe, but they always slip away again. That fragility is not a weakness. It is the point.

There are millions of recordings today that make classical music accessible at every hour of the day. That accessibility is a gift, and I do not want to argue against it. But the way we listen inside a concert is something different from the way we listen on headphones. A concert is a ritual that opens us to the universe of music. It is a guide that leads us mentally out of daily reality and into a suspended bubble, far from the noise of the everyday, in order to bring us gently back to ourselves at the end of the evening.

During the last years I have been increasingly drawn to livestream concerts as their own form of event. Not as a lesser substitute for being in the room, but as a sibling form — one where space is released as a constraint, and only time remains.

Here is what I find beautiful about that. Someone will be listening from an armchair. Someone else from a bathtub. A mother may be tucking her child into bed while the Chopin Ballade unfolds in the next room. A friend across the ocean, nine hours out of sync with Paris, may be drinking their morning coffee while I am playing an evening recital. If we cannot meet in the same space, what we still share is time. We can still find ourselves in the same moment.

That is the thing I did not expect to learn from the pandemic: that the live-ness of a concert is not defined by the architecture we sit inside. It is defined by simultaneity. By the fact that these sounds, right now, are being generated by a human being and received by another human being, and that the reception is part of what is being made.

When you sit with a classical recital from its first phrase to its last silence, something shifts in the nervous system. The ritual of opening ourselves to music is also a training in sensual awareness — in perception, in stillness, in attention. It is a guide that spiritually lifts us out of our ordinary perception and returns us to ourselves richer, quieter, more continuous.

We do not get this from fragments. We do not get it from thirty-second clips scrolling past on a phone. We get it from the slow arc of an entire ballade, an entire sonata, an entire recital. The masters of the past knew this: they wrote large, patient forms because they were composing for listeners who had an entire evening to give.

For those who want an even more direct form of connection, I also create private concerts — personalised recitals in your own home, designed around you and your occasion.

Do you have a grand piano in your living room and have you always dreamed of inviting your closest friends for a private evening of music? It is up to you to realise that idea. I will create an unforgettable evening, shaped to fit the occasion you have in mind.

The intimacy is different from a concert hall. You are not seated twenty rows from the stage. You are in the room where the music is being made. You can choose your favourite composers — Bach, Beethoven, Schubert, Brahms, Chopin, Debussy, Liszt, Prokofiev, Balakirev — and a theme to which I will dedicate the presentation of the evening.

The invitation is always open. To be notified of upcoming livestream concerts, subscribe to the newsletter on this site. To enquire about a private concert in your home or private venue, use the booking form and describe the occasion you have in mind — I read every message personally.

See you soon.

Diesen Beitrag teilen

Per E-Mail teilen

Weiterlesen

4 Min. Lesezeit

Introducing Instant Piano Paris: A Short-Film Series That Breaks the Boundaries Between Classical Music, Performance Art and Cinema

Beyond the single role of concert pianist: a short-film series that pairs classical piano repertoire with filmed performances in Parisian public space — with classical music as the truth and origin of the work.

Nah an der Musik bleiben

Konzerttermine, neue Veröffentlichungen und gelegentliche Nachrichten von unterwegs — nicht mehr, nicht weniger.

Kein Spam. Eine E-Mail, wenn es darauf ankommt.